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Residency/Fellowship Alumni Summary

Jennifer Scheuer, 2019

OSGF

Eliza Moore Fellow, 2019

Jennifer Scheuer is an artist and collaborative printer whose work focuses on lithography and the history of print. She currently holds a position as a Visiting Assistant Professor at Purdue University. Her artistic research is based on plants, medicine, the body and healing throughout history. 

“I have been working with archives and historical books in my artistic research and greatly value the time to spend with historical and contemporary primary documents,” Jennifer said. “Dedicated time at [Oak Spring] was an opportunity to create new series of work...and for internal growth in understanding of the relationship between humans and plants.” 

Jennifer spent much of her two week residency in the Oak Spring Garden Library, researching both herbals and the Doctrine of Signatures (a concept from the early 16th century which states that plants resembling certain body parts can be used to treat ailments in those body parts). Jennifer’s residency provided her with the time to develop new imagery and an artist book exploring scholarship, gardening, art, and the earth.

To learn more about Jennifer, click here. 

Dinora Justice, Fall

OSGF

Artist in Residence, Fall 2019

Currently living in Newton, MA, artist Dinora Justice was born in Brazil. The themes her work explores include the feminine, nature, and environmental destruction.

“I am a beneficiary of (Bunny Mellon’s) vision, and where my vision and hers come together is perhaps my belief that art can carry ideas and emotions far and wide, and inspire people,” said Dinora, in a statement she wrote at the end of her residency. 

The series of paintings Dinora is currently working on, which feature silhouettes of  women influenced by nineteenth century “Odalisque” portraits reclining in natural settings, explores the exploitative ways that we relate to nature as a patriarchal society. Dinora spent much of her time at Oak Spring developing floral designs to use in those paintings, based on the work of botanical artists Margaret Mee, Maria Sibylla Merian, Lise Cloquet, and Elizabeth Blackwell. Among the oil paintings she produced during her residency is a portrait of a woman reclining against a mountainous landscape, her silhouette scattered with chrysanthemum and wallflower designs influenced by illustrations from the botanical artists Dinora studied. 

 Read more about Dinora at http://www.dinorajustice.com/.  To read a blogpost about OSGF’s fall 2019 Artists in Residence, click here

Regan Rosburg, Fall

OSGF

Artist in Residence, Fall 2019

Artist, naturalist, photographer, and writer Regan Rosburg’s work is centered around the concept of Ecopsychology: the “emotional barrier” that people struggle with when it comes to facing enormous environmental issues such as climate change and species loss.  Based in Denver, Colorado,  Regan  is the Co-founder and Artistic Director of Cayo Residency in Eleuthera in the Bahamas, and  has conducted biology-based research trips around the world. She came to Oak Spring with the purpose of researching the work of early environmental explorers and master painters in the library.  During her residency, she also worked on writing and painting, as well as a project featuring anonymous letters penned to children about climate change, which she will turn into a 3D printed “bio-poem” in collaboration with Binomica Labs, NYC. 

Of her experience at Oak Spring, Regan said she found inspiration throughout the foundation, from the fragments of wasp and birds nests she collected on her walks to the property’s changing trees.  

“Every single part of the property has influenced me,” she said. “Bunny’s old greenhouses have been pretty impactful, just because the amount of care she put into everything is pretty astonishing.”

 Read more about her work here, and read more about her experience at Oak Spring in her blog.  To read a blogpost about OSGF’s fall 2019 Artists in Residence, click here.

Katie Holten, Fall

OSGF

Artist in Residence, Fall 2019

New York-based visual artist Katie Holten grew up in Ireland.  Interested in exploring  the connection between nature and language, she has developed an alphabet using drawings of different tree species, which she used to write her book, About Trees, in 2015.   

“For me, the books are about creating a sense of community, and how everything is related to everything,” Katie said. “Alphabets are ways to think about language relationships to other species on the planet.” 

During her residency at Oak Spring, Katie worked on several upcoming projects, including a piece for Emergence Magazine that she is creating with poet Forrest Gander. For the magazine, she is working to develop an alphabet resembling dissolving seeds and spores that will be turned into a font, influenced by the wildfires spreading through California. She also worked on several other tree alphabet books, including a children’s book and a book of Irish trees. 

Learn more about Katie’s website (https://www.katieholten.com/). To read a blogpost about OSGF’s fall 2019 Artists in Residence, click here.   

Dolores Furtado, Fall

OSGF

Artist in Residence, Fall 2019

Dolores Furtado is a sculptor who was born in Buenos Aires, Argentina, and now lives and works in Brooklyn. Her work focuses on matter, material, and formlessness.  

“I’m interested in the process itself,” she said, “It’s constantly transforming, a bit in the way nature does - not in a defined way. It’s more about transforming the material.” 

Dolores spent much of her time at OSGF experimenting with paper products. While she uses recycled paper at home, being at OSGF gave her the opportunity to use different types of materials - including wood and grass, as well as flowers, fruits, and vegetables from the Biocultural Conservation Farm and gardens - to create a variety of papers and small sculptures. 

Dolores said she found inspiration for her work in a variety of places: from the unique way Bunny Mellon’s use of frames to change the forms of plants in the greenhouse, to books on paper-making in the Oak Spring library, to the ever-changing autumn landscape.

You can learn more about Dolores at http://www.doloresfurtado.net/. To read a blogpost about OSGF’s fall 2019 Artists in Residence, click here.

Elissa Levy, Spring

OSGF

Artist in Residence, Spring 2019

Alumni Artist in Residence, Winter 2020

Elissa Levy is a multimedia artist based in New York, NY. Her work, which includes drawing, photography, painting, and sculpture, utilizes a variety of materials, including objects such as newspapers, which she views as a “ found object that I can edit and transform.”  

During her six-week residency at Oak Spring, Elissa produced multiple sculptures, including several which included casts of a tree root, potatoes, and oysters. 

When she returned to as an alumni resident in early 2020, Elissa continued her sculptural work, creating multiple casts of rocks throughout the Oak Spring landscape.  

 You can learn more about her work here.    

John Liles, Spring

OSGF

Artist in Residence, Spring 2019

Alumni Artist in Residence, Winter 2020

 John Liles is a poet, science writer, and living mammal.  His award-winning debut book of poetry, Following the Dog Down, inspired by John’s study of parasitic roundworms, was published in 2017.

During his six-week residency at OSGF, John wrote and researched in the Oak Spring Garden Library, where he left some of his poems.   He said of his time at the foundation, “Being here, and being in this space which such wonderful people and artists, has allowed me to take stock of the kind of relationships I want to have and the kind of people I want to be around.”  

John returned to Oak Spring in early 2020 as an alumni resident, where he worked on a series of poems about small biological processes in the natural world. 

You can learn more about him here.

Samantha Sanders, Spring

OSGF

 Artist in Residence, spring 2019

Alumni Artist in Residence, Fall 2020

 Samantha Sanders is an artist based in Philadelphia, PA. Her paintings and drawings create worlds that are “constantly evolving, that accentuates the mystery and majesty of nature.” 

At OSGF, Sam produced a variety floral paintings inspired by the foundation’s spring blooms and plants over the course of her 2019 six-week residency. She returned in 2020 for an alumni residency, where her work included creating paintings from ink she made from the site’s dye and paper garden. Of her time at OSGF, she wrote on an Instagram post: “I’ve never felt more proud, inspired and excited to keep making artwork and to have more, and more experiences like this one in the future!”

You can learn more about Sam here

Autumn Von Plinsky, Spring

OSGF

Artist in residence, spring 2019

Autumn Von Plinsky is a graphic designer, muralist, and illustrator currently based out of Brooklyn, NY. Having grown up surrounded by the natural world, most of her illustrations are inspired by nature, focusing on “the little details that are sometimes overlooked.” 

Autumn’s primary illustration medium is watercolor. Prior to her residency at Oak Spring, Autumn created the illustrations for Michael Gaige’s ecological survey of Oak Spring, a “An Oak Spring Landscape.” During her time at OSGF, Autumn produced several watercolor illustrations and prints inspired by the foundation’s landscape and wildlife, including a piece featuring all the bird species she saw on the property. That design was later turned into fabric and wall paper, available online here

You can learn more about Autumn here.    

Naseem Rakha, Fall

OSGF

Two Week Curated Artist in Residence, Fall 2019 

 An Oregon-based journalist, geologist, and award-winning author, Naseem Rakha’s writing has appeared in NPR, The Guardian, and the Los Angeles Review, among other publications. She is the author of the internationally acclaimed novel The Crying Tree

 During her residency at Oak Spring, Naseem penned a fictional short story about Bunny Mellon during her final days, speaking with OSGF legacy employees in order to get a sense of Mellon’s reflections on her place in the world and the experience of losing her vision. She made this video about the two weeks she spent at Oak Spring.

You can learn more about Naseem here. 

Pedro Ramirez, Fall

OSGF

Two Week Curated Artist in Residence, Fall 2019

Visual artist and educator Pedro Ramirez, based in Brooklyn, NY, blends art and science with his vegetation-sprouting “living” pottery. His research explores the relationship between people and living plants. He currently teaches ceramics at Marymount Manhattan College, and is adjunct assistant professor at Medgar Evers College in Brooklyn, where he teaches art history.   

He worked on several projects during his time at OSGF, including harvesting local clay for sculptures, asking legacy employees to create clay pieces of their own and reflect on what the land means to them, researching the medicinal uses of invasive weeds, and installing a fake grass landscape on OSGF’s landing strip.

Learn more about Pedro here. 

Nina Elder, Fall

OSGF

Two-Week Curated Artist in Residence, Fall 2019

Artist and researcher Nina Elder currently lives in New Mexico, where her multidisciplinary work focuses on changing cultures and ecologies. She is the co-founder of the Wheelhouse Institute, a women’s climate leadership initiative. Nina lectures as a visiting artist/scholar at universities, and has recently held positions at the Nevada Museum of Art,  the Anchorage Museum in Alaska, and as a Researcher in Residence in the Art and Ecology Program at the University of New Mexico. 

While at OSGF, Nina went through archives, books, and the land in order to research ways in which natural objects had been described, creating a cyclical poem that listed her findings. Learn more about her here. 

Ian Boyden, Fall

OSGF

Two week Curated Artist in Residence, Fall 2019

Visual artist, translator, and writer Ian Boyden, who lives in Washington State, creates work centered around ecology, with a focus on East Asian aesthetics. He has collaborated on projects with famed Chinese dissident artists and writers Ai Weiwei and Tsering Woeser, including serving as the curator for the exhibit “Ai Weiwei: Fault Line,” in 2016. Ian spent his time at OSFG conducting research in the library for future projects. 

Learn more about him here. 

Janet Tyson, 2020

OSGF

Researcher in Residence, 2020 

Janet Tyson is currently a PhD candidate in history at Birkbeck, University of London. In early 2020, she spent two weeks at Oak Spring working on her doctoral dissertation, which examines A Curious Herbal  - an encyclopedia of of medicinal plants illustrated by 18th century Scottish botanical artist Elizabeth Blackwell  - within the contexts of Georgian London and of similar books available at the time.     

Of her time at Oak Spring, Janet said, “This has been an invaluable experience. I've been exposed to an awful lot of things here instead of chasing all over the place. To be able to be a resident and to just walk over to the library everyday and look at these things, and the way it works I can just ask for something and Tony's just able to get it - other libraries you have to wait an hour. It's just very, very different.”

Read more about Janet’s research on our blog.    

Lindsay Wells, 2019

OSGF

Stacy Lloyd Fellow, 2019

Lindsay Wells holds an M.A. in Art History from The Courtauld Institute of Art and is currently a Ph.D. candidate in the Department of Art History at the University of Wisconsin Madison.  Her research focuses on environmental humanities and visual culture, and she used the Stacy Lloyd fellowship to research her doctoral dissertation, which explores how nineteenth-century houseplant horticulture influenced the botanical imagery of the British Aesthetic Movement.

 “My research as a Stacy Lloyd III Fellow will not only challenge our current understanding of botanical motifs in Victorian visual culture, but also foster critical exchanges between art history and the environmental humanities,” Lindsay said. “The Oak Spring Garden Library Collection contains hundreds of items of direct relevance to my project.” 

During her residency, Lindsay researched rare books, historical documents, and works of art from the Oak Spring Garden library collection about the history of indoor gardening. You can learn more about her here. 

Lucia Monge, 2018

OSGF

Eliza Moore Fellow, 2018

Lucia Monge is a Peruvian artist who is currently based in Portland, Oregon. Her work focuses on how humans position themselves in the natural world and relate to other living beings, especially plants.  She has organized Plantón Móvil for the past ten years, a yearly “walking forest” performance that leads to the creation of public green areas.   

 During her residency at Oak Spring, Lucia explored the library collection and re-performed Charles Darwin's experiments on the movement of climbing plants. Lucia said she gained a great appreciation for the world of botanical illustration as a meeting place for artistic and scientific inquiry, and is grateful for everything Tony Willis and the staff at the library taught her.

Lucia returned to Oak Spring in  2019 in order to share what she learned from the Oak Spring Garden Library with our September 2019 Curated Artist in Residence. She continues to study climbing plants, and has created sculptures, textiles and a series of drawings based on her observations. 

To learn more about Lucia, click here.  To read our blogpost about one of Lucia’s recent projects, which involved sending 125 true potato seeds into space as part of an international art payload, click here. 

Ashley Boulden, 2018

OSGF

Stacy Lloyd III Fellow, 2018

Ashley Boulden, the inaugural recipient of the 2018 Stacy Lloyd III Fellowship for Bibliographic Study, is a Ph.D. Candidate in Art and Architectural History at the University of Virginia’s McIntire Department of Art. Her dissertation focuses on engraved ornament prints that circulated in Paris during the eighteenth century, including the embroidery patterns of Charles Germain de Saint-Aubin. Her particular focus is the 258-page manuscript “Recueil de plantes” by Saint-Aubin housed in the Oak Spring Garden Library, which had not previously been digitized or widely researched.

Learn more about Ashley and her work here.