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Residency/Fellowship Alumni Summary

Filtering by Tag: 2025 group 2

Heather McMordie

OSGF

Interdisciplinary Residency, Five-Week, Session II

Heather McMordie is a Providence-based artist and printmaker whose work integrates science and art to raise awareness about environmental issues. Her practice often invites public participation, encouraging people to engage more deeply with local ecosystems. Her recent project, Stitch & Stay Awhile, brings together participants from across the country to highlight the importance of salt marsh environments. She is also the recipient of Providence’s Interlace Project Grant for The Providence Community Herbarium, a collaborative project that documents local plant life through the perspectives of community members.

www.heathermcmordie.com

Erin Petrella

OSGF

Interdisciplinary Residency, Five-Week, Session II

Erin Petrella received her PhD in Classics from Columbia University. Her research focuses on the history and development of botanical Latin, the scientific ideal of universal intelligibility, and textual authenticity. She has a prior MLS in Rare Books Librarianship and has worked for several years with Columbia’s Justice-in-Education program.

Colleen M. Stockmann

OSGF

Interdisciplinary Residency, Five-Week, Session II

Colleen Stockmann is Associate Professor of Art History and steward of the Hillstrom Museum of Art at Gustavus Adolphus College in Minnesota. Stockmann has a B.A. in Studio Art from Macalester College and spent a decade as a curator in San Francisco before earning an M.A. and Ph.D. in Art History from the University of Minnesota. Colleen’s research examines plant politics, drawing instruction, and botanical printmaking.

Their current book project demonstrates how the shared rhetoric of horticulture and scientific racism played out in the politicized lexicon of gardening periodicals and drawing manuals to shape an American view of landscape and the codification of “invasive” species. Dr. Stockmann’s work has been supported by Dumbarton Oaks, The Huntington, Oak Spring Garden Foundation, and Rare Book School. The Andrew W. Mellon Foundation recently awarded Dr. Stockmann three years of support for “Object Lessons: Repatriation, Provenance, and Access in Art History.”

https://colleenstockmann.com

Catherine Epstein

OSGF

Interdisciplinary Residency, Five-Week, Session II

Catherine Epstein is a playwright and educator whose work has been developed and presented at venues including the Barter Theatre, the Huntington Theatre Company, and the Renaissance Theatre. Her plays include Scouts, Arbor, Oxbow, Orchard, and Allemansrätten, and her work has been recognized by festivals nationwide. She is the recipient of a 2026 Perennial Residency and a 2025 Interdisciplinary Residency from the Oak Spring Garden Foundation, and was a finalist for the 2024 Princess Grace Award in Playwriting.

In addition to her writing, Catherine has an extensive background in education and the arts. She holds a B.A. in English with Honors from Vassar College and has worked as a classroom teacher, theater director, and outdoor educator. She currently leads environmental education programs at Boxerwood Nature Center & Woodland Garden and works as a writing consultant at Washington & Lee University. Across her work, she is committed to fostering collaborative, creative learning environments that center curiosity, storytelling, and engagement with the natural world.

https://www.catherineepstein.com

Amanda Martin

OSGF

Interdisciplinary Residency, Five-Week, Session I

Amanda Martin is a historian whose research examines how natural resources, social inequities, and environmental politics have intersected across the twentieth-century United States and beyond. She is particularly interested in the ways green spaces—ranging from public parks and urban gardens to remote wilderness areas—have served as important sites of social, political, and environmental history.

She is currently completing her first book project, Greenlining: Civil Rights Struggles Over Access to the Outdoors in the United States, which offers a new interpretation of the American civil rights movement by foregrounding struggles for environmental equity as central to its history.

Amanda received a B.A. in American Studies, with a minor in photojournalism, from the University of Texas at Austin, and an M.A. in History from Montana State University. Before returning to academia for graduate study at Columbia University, she worked for several years as a professional photographer. This background continues to shape her research approach and her commitment to multimedia storytelling.

In addition to her academic work, Amanda has extensive experience in public history and digital humanities. She has collaborated with museums, curated archival exhibitions, created digital maps, produced podcasts, led historical walking tours, and written for popular news outlets. Her research on environmental injustice informs her ongoing efforts to make contemporary green spaces more inclusive and accessible to diverse audiences. She is particularly interested in partnering with public parks, botanical and community gardens, and other outdoor-focused organizations.

Committed to making scholarship widely accessible, Amanda is also the creator of the podcast Everyday Environmentalism, which shares conversations on urban nature, climate change, and environmental issues with a broad public audience.

www.amanda-martin.net

Xiaomin Jin

OSGF

Interdisciplinary Residency, Five-Week, Session I

Xiaomin Jin is a researcher whose work explores the cross-cultural transmission of garden plants and the diverse symbolic and spiritual meanings they hold across different societies. Their research examines how plants move between cultures, carrying layered histories and interpretations that shape both designed landscapes and cultural narratives.

In addition, Xiaomin is deeply interested in the ways environmental and climate change impact the landscapes surrounding architectural monuments. Their work considers how shifting ecological conditions can transform not only the physical environment but also the spatial and cultural identities of these historic sites, offering new perspectives on the relationship between nature, heritage, and place.

Meredith Leich

OSGF

Interdisciplinary Residency, Five-Week, Session I

MEREDITH LEICH (pronounced: like) is a painter, animator, and video artist, who explores the hidden forces—human and nonhuman—acting on our environments. The Boston Globe stated that Leich’s work is “uncanny yet earthbound” and “asks to witness what we have wrought” and the Washington Post described her work as “delicately beautiful but [...] warns of [...] perils.”

Leich’s work have been shown in film festivals, galleries, museums, and numerous off-the-grid settings. Her practice draws on scientific research, collaboration with scientists, and time spent as an artist-in-residence at field research stations, including UVA’s Mountain Lake Biological Station and UNH's Shoals Marine Lab. Her collaboration with glaciologist Dr. Andrew Malone was awarded an Arts, Science & Culture Initiative Grant from the University of Chicago, second place in Deutsche Bank’s “Macht Kunst” Contest, and an Individual Artist Grant from Chicago’s DCASE. Her films have screened at the Ann Arbor Film Festival, Athens International Film + Video Festival, and Chicagoland Shorts, among others. She has completed residencies at the Oak Spring Garden Foundation, Tide Institute and Museum of Art, Studios of Key West, Ragdale Foundation, Vermont Studio Center, and Wrangell Mountain Center in McCarthy, Alaska.

Leich received her BA from Swarthmore College and MFA from the School of the Art Institute of Chicago. She currently serves as the Co-Director of the Cuttyhunk Island Artists’ Residency and lectures at the School of Museum of Fine Arts at Tufts University.

meredithleich.com

Sarah Audrey Bürli

OSGF

Interdisciplinary Residency, Five-Week, Session I

Sarah Audrey Bürli is a plant ecologist and conservationist passionate about species rarity, dioecy, and plant adaptations to environments at high elevation and latitude. Her research is deeply anchored in botanical gardens, where she finds both inspiration and a strong sense of belonging. She is especially interested in the history of these institutions and the critical role they play in global conservation efforts today.

Her work investigates the ecological and evolutionary factors that shape plant rarity and distribution across environmental gradients. She is particularly committed to exploring the impacts of climate change and other global environmental changes on plant species and communities. In addition, her research emphasizes the development of dynamic, holistic, and decolonizing conservation strategies.

To address questions at both micro- and macro-scales, she employs a range of approaches, including field studies, greenhouse and laboratory experiments, and advanced statistical analyses.

Pille-Riin Jak

OSGF

Interdisciplinary Residency, Five-Week, Session I

Pille­-Riin Jaik (born 1991 in Tallinn, Estonia) is a Vienna and Tallinn based interdisciplinary artist working with camera based mediums, performance and sound as well as with various weavings in textual or spatial form. She has a Bachelor of Photography from the Estonian Academy of Fine Arts (2015) and a Masters from Art and Digital Media at the Academy of Fine Arts Vienna (2020). Currently she is studying in a PhD in Practice program in Academy of Fine Arts Vienna and is a member of Golden Pixel Cooperative. Her artistic work is focused on text, plants, textile, storytelling, surplus and waste materials/thoughts in feminist and class aware discourse.

Her videoworks have been screened in several film festivals around Europe (21st Ji.hlava International Documentary Film Festival, Diagonale 2018, FrauenFilmTage 2018, VI Kinodot Experimental Film Festival in St. Petersburg, Red Love international video competition in Sofia, Terrarista.tv, FIDCampus Marseille 2021, EUROPEAN MEDIA ART FESTIVAL - EMAF etc). Recently she has also been part of group exhibitions at Hobusepea Gallery in Tallinn, Improper Walls, LLLLLL, PFERD, Flucc, xE, Exhibit, AG18, Ausßenstelle Kunst, 21Haus and Kunstraum Niederoesterreich in Vienna.

Currently she is working on her PhD research about political and poetic storytelling in Baltic landscapes. In her artistic research she looks at different leads from post-colonial writers in search for alternative ways of storytelling with particular focus on land- and cityscapes of the region.

https://pilleriinjaik.com

Margot Elizabeth Glass

OSGF

Interdisciplinary Residency, Five-Week, Session I

Margot Glass grew up in New York City, and studied at The Art Students' League, Brown University, Rhode Island School of Design, and Fashion Institute of Technology. Her educational and professional immersion decorative arts history and applied textile and decorative design techniques inspired her exploration of the dynamic relationship between stylization and imperfection in representations of nature in the subjects she chooses. Her paintings and drawings primarily focused on themes of ecology and fragile plant systems have been widely exhibited in galleries and museums the United States and internationally, and and her work is in private and public collections including such institutions as the Hunt Institute for Botanical Documentation at Carnegie Mellon, the Weatherspoon Museum, The Del Coronado Corporate Collection, Midwest Museum of American Art, Oak Spring Garden Foundation, The Mark Parker Collection and Beth Rudin DeWoody Collection. Her work has been featured in publications including Orion Magazine, Watercolor Artist, American Art Collector. She works in a variety of media primarily focusing on traditional metalpoint, homemade organic ink, oil and acrylic paint and watercolor. She was the recipient of a Massachusetts Cultural Council STARS Artist Residency and is currently working on a commission project for Arts in Embassies. She is the recipient of an Oak Spring Garden Foundation Interdisciplinary Fellowship in VA and a Lost & Found Lab Artist Residency, CT. She lives and works in Western Massachusetts and has been a visiting lecturer at university galleries such as Smith College in addition to other colleges and museums.

www.margotglass.com

Jonathan Sanchez Noa

OSGF

Interdisciplinary Residency, Five-Week, Session I

Jonathan Sánchez Noa is a Cuban-American artist working with installation, papermaking, and sculpture. He creates artworks that examine how histories of colonial extractivism have impacted notions of race, identity, and climate. He utilizes Cuban tobacco as a medium to reconstruct narratives of displacement in relation to cultural and religious significance. Through papermaking techniques, he imprints tobacco stain patterns directly into raw pulp slabs. A process informed and influenced by personal ritual, spiritual and vision interpretation of the world.

https://jonathansancheznoa.com/m

Greg Heins

OSGF

Interdisciplinary Residency, Five-Week, Session I

Greg Heins began photography in New York City after graduating from Cornell University with a degree in English literature. Since 1973, he has lived in Boston.

He has held one-person exhibitions at Gallery Kayafas in Boston in 2016, 2019, 2021, and 2023, and is currently represented by Robert Klein Gallery on Newbury Street in Boston.

His work has been included in significant group exhibitions, including A Generous Medium: Photography at Wellesley at the Davis Museum of Wellesley College and Contemplating the View: American Landscape Photography at the Addison Gallery of American Art.

His photographs are held in the collections of the Smith College Museum of Art, the Bowdoin College Museum of Art, the Addison Gallery of American Art, the Colby College Museum of Art, the Davis Museum of Wellesley College, and the Museum of Fine Arts, Boston.

He is interested in the look of things. His photographs arise from an attentiveness to formal qualities and visual relationships, and from a desire to transform those perceptions into works of art. The realization of these perceptions in print form remains central to his fascination with photography.

Each photograph responds to the successes or failures of those that came before. The process is inherently visual. While the artistic impulse may be shaped by age and loss, anger and regret, or by a need for play and freedom, the statement ultimately resides in the photographs themselves.

www.gregheinsphotography.com