Use the form on the right to contact us.
You can edit the text in this area, and change where the contact form on the right submits to, by entering edit mode using the modes on the bottom right.
123 Street Avenue, City Town, 99999
(123) 555-6789
email@address.com
You can set your address, phone number, email and site description in the settings tab.
Link to read me page with more information.
Beshouy is a researcher who examines processes of racialization by telling the connected imperial histories. Currently, they are working on a project that explores the cotton trade between Egypt and the United States during the United States Civil War and how it contributed to broader, global racial discourses. To learn more about them, visit https://www.nnaac.org/beshouy_botros.
Evan is an artist currently based in Gainesville, Florida. The sculptures, installation, and ecological inventions he creates are inspired by the interconnected worlds of plant, animal, and mineral. His current project, Pulp Gardens, is an interspecies collaboration and installation that invites visitors and the public to learn and engage with it.
“Orange Branch” by Olivia Mendoza
Olivia is an illustrator and designer based in Michigan. She specializes in realism and natural subject matter, and is “interested in the intricacy and beauty in the details of natural things.” Learn more about her at https://www.oliviamendozaillustration.com/.
“Magnolia” by Charlotte Ricker
Charlotte is a scientific illustrator and avid outdoorswoman “interested in studying the interconnectedness of all living things.” She has spent many years as an architect and city planner, and translates that methodical, analytical approach to her science illustrations. Learn more about her at https://www.rickerstudio.com.
Artist and educator Fidencio Fifield-Perez was born in Oaxaca, Mexico, and raised in the U.S. after his family migrated. He holds an MFA from the University of Iowa. Learn more about him at http://fidenciofperez.com, and read an interview with him on our blog.
Eve Allen is a Master in City Planning Candidate, Environmental Policy and Planning at the Massachusetts Institute of Technology, where her research focuses on developing strategies to weave plant genetic diversity into the fabric of cities and suburbs. You can learn more about her on our blog.
Aleca Borsuk is a Ph.D candidate in Plant Ecophysiology at Yale University whose research interests are plant morphology, plant physiology, and bio-inspired technology. Her work aims to improve carbon assimilation models based on a new, spatially resolved understanding of leaf internal anatomy. Learn more about her on our blog.
Artist and scholar Brittany Carson holds a master’s degree in Fisheries, Wildlife and Conservation Biology from North Carolina State University. She has worked as a horticulturist and researcher in Madagascar, Botswana, and throughout the U.S. Her research explores a botanical sense of place from an Indigenous and Local Knowledge (ILK) perspective. Learn more about her on our blog.
Rachel Koroloff is a historian whose work focuses on the creation and maintenance of Russia’s botanical and medical gardens from the seventeenth through the eighteenth centuries. She is currently an early-career Fellow at the Lichtenberg-Kolleg University of Göttingen in Germany, where she is finishing her book, An Empire in Flower: Russia’s Gardens Between East and West, 1630 to 1760. Learn more about her here.
Charlotte Leib is currently a PHD candidate in the history department at Yale University. Her work focuses on histories of the built environment, landscape architecture, and the perceptions, representations and repercussions of environmental and technological change in North America during the seventeenth through twentieth centuries. At Oak Spring, she carried out research for the project, ‘Surveying Sites Unseen: Trees, Representation and Power,’ which investigates the ways that trees were represented by American surveyors, scientists, and artists in the late 19th-century. Learn more about her here.
Candace Thompson is a performer and media maker, who has “always been fascinated by the feedback loops generated by place, culture, identity, gender, race, climate, politics, and simple human interaction.” Their many projects include films, web projects, audiobooks, music and ritualistic interventions “that challenge and examine the truths we purportedly hold to be self-evident.” Learn more about their projects by following them on Instagram at @thec_u_r_b.
Jessie Wei-Hsuan Chen is a Ph.D. candidate in the Department of History and Art History at Utrecht University in the Netherlands. Her dissertation project investigates the artistic and knowledge production of painted and printed flower books from Germany and the Low Countries in the long seventeenth century (c. 1575–1725). Her research intersects topics in the history of art, science, and the book, and experiments with methods in material culture and digital humanities. Applying the concept of “making and knowing” and “learning by doing,” Jessie particularly engages with historical reworking/remaking as an empirical way to inquire into producing (color) images of the plant world. Jessie’s research at Oak Spring will support her PHD dissertation on seventeenth-century flower books “Everlasting Flowers Between the Pages,” a project which investigates the artistic and knowledge production of early modern botanical watercolors and their contribution to the development of plant science. You can learn more about her at https://jessieweihsuanchen.com.
To read about Jessie’s research, visit our blog.
Josepha Richard is a historian specialised in 18-19th century China, with a specific interest in the urban history of Guangzhou (Canton) and Sino-Western interactions under the Qing dynasty (1644-1911). She is currently a postdoctoral fellow in Chinese history at the department of Historical Studies in Bristol University, England. Recently she became an Oak Spring Garden Foundation fellow at the University of Bristol as part of the John Bradby Blake project. The latter combines history of art and science by analysing botanically accurate paintings of Chinese plants commissioned by British trader John Bradby Blake in late 18th century Guangzhou, and Blake's abundant handwritten manuscripts on the plants.
As part of her Stacy Lloyd III grant, Josepha will be comparing Blake painting commissions and manuscripts held in OSGF with other archives containing parts of Blake's collections in the UK.
“The OSGF library is a dream come true for a researcher,” wrote Josepha of her research at Oak Spring. “I have never found quite such a unique blend of beauty and practicality, comfort and access to rare books and artworks. In particular, I have found the availability of different manuscripts of Western botanical artworks to compare with Blake’s hybrid Sino-British botanical paintings invaluable.”
To learn more about Josepha and her research, follow her on Twitter or visit our blog.
Emma Steinkraus is an artist, curator, assistant professor, and the visual arts editor of the contemporary poetry and art magazine Company Journal, currently based in Farmville, VA. Her work combines paintings, photo transfers, and installations to explore gender and ecology. Her project for the Eliza Moore fellowship, Impossible Garden, documents the contributions of women to natural history and scientific illustration by assembling thousands of images of the animals, insects, and plants created by 130 of history’s female scientific artists working between the 15th and 19th centuries into a mural wallpaper.
To learn more about Emma, visit www.emmasteinkraus.com/.
To see more of her work and read about her project for the Eliza Moore Fellowship, visit our Shelter in Art Exhibit and our blog.
Maddison Colvin is an interdisciplinary visual artist residing in Utah who currently works in Brigham Young University’s Department of Art. Her work focuses on themes of ecology, built environment, and communal knowledge, and spans media from painting to video game design. Her project for the Eliza Moore Fellowship, titled Eden(s), explores humankind’s visual, aesthetic, and cultural responses to gardens by weaving together essays, photos, drawings, paintings, and facsimiles of other botanical work into a book. Learn more about Maddison at http://maddisoncolvin.com/.
To see more of Maddison’s work and read about her project for the Eliza Moore Fellowship, visit our blog.
Tamer Hassan is a filmmaker based in Chicago. His current work focuses on the way people relate to their environment and traditions, and has included films on the history of seed saving in the U.S. Currently, he is researching the migration of purple martins, birds that are dependent on humans for survival. His films have been screened nationally and internationally. To see some of Tamer’s work, visit our Fall 2020 Residencies Exhibit.
Shilpa Joglekar is an artist practicing drawing, installation, painting, and sculpture. Based in Mumbai, India, she founded and was the first Dean of Academy of Fine Arts & Crafts in Rachana Sansad, Mumbai. Her work, which explores human relationships with nature, has been exhibited throughout India and abroad. Learn more about her at http://shilpajoglekar.com.
Sarah Jones is an artist and garden designer who works in fiber arts and installation. Based in Seattle, WA, her current work examines “plant extinction and the grief presented by climate change.” Her art has been exhibited throughout the U.S. Learn more about her at www.sarahjonesstudio.com. To see some of her work, visit our Fall 2020 Residencies Exhibit.
Lauren Winchester is a poet based in San Carlos, California. Her poems explore humanity’s relationship with the natural world and have appeared in The Journal, Passages North, TYPO, BOAAT, and other publications. Learn more about her at www.laurenwinchester.com. To read Lauren’s poetry, visit our Fall 2020 Residencies Exhibit.
Alyssa Dennis is an interdisciplinary artist, educator, and practicing clinical herbalist. Her work has been exhibited throughout the U.S., and her illustration clients have included the National Aquarium and the National Children’s Museum. Based in Brooklyn, NY, she is currently working on a project that explores the human concept of invasive species. Learn more about her at www.alyssadennis.com To see more of Alyssa’s work, visit our Shelter in Art exhibit and our Fall 2020 Residencies Exhibit.